I was very proud last year to have my novella, “Burnt Black Suns” (from which my fourth collection got its name), published in the Steve Jones-edited BEST NEW HORROR #26 (PS Publishing, 2015). This was the first edition released by PS (if you exclude the reprints of 1 through 4, and 25) and the production quality, as ever, is incredible. It was also the first time I shared space with Peter Straub in a book, which remains a surreal experience for me.
“Burnt Black Suns” was a novella that took me a long time to write, especially since it was, at the time, the longest piece I’d ever written, and it taught me a lot about my own craft and capabilities. The most important lesson I learned from writing it was how exciting a form the novella can be to work in, and I hope to write many more of them in the coming years.
My story, “In the Event of Death”, was published in BLACK WINGS IV (PS Publishing, 2015), a volume in the series edited by S. T. Joshi. It’s a riff on an idea from one of Lovecraft’s most famous stories, recontextualized and interpreted through my lens.
The story, in its earlier drafts, was drawn heavily from my own experiences, and though over time most of that personal material was removed, it still helped inform the story that remained. What’s most interesting is that of the material left in I can no longer be certain what was drawn from my own experiences and what was invented for the story. This is common occurrence for writers, I think, though knowing that does not dull how bizarre it is to find one’s memories bent and distorted by imagination. It also goes some distance to showing how memory is frequently fallible and untrustworthy. Perhaps that’s the true lesson in this story.
The title, by the way, is one of my favourites. It has a real “Cornell Woolrich” ring to it.
When one of your favourite authors invites you to write a story for an anthology series they edit, you jump at the chance. And so it was when the incomparable Paul Finch asked me to contribute to TERROR TALES OF THE OCEAN (Gray Friar Press, 2015). My story, “First Miranda”, deals with identity and infidelity and the way simply being alive can change a person in innumerable ways.
What’s interesting about “First Miranda”, at least in my estimation, is its genesis. When I started thinking about what I might write for the book—or more accurately how I would fit in the writing of the story among the other obligations I had—I realized rather early that a smart course of action would be to rescue a story I’d written earlier that I’d never sold. And by “earlier”, I mean the first story I wrote when I decided to start sending my work out to editors. It was the first professional story I’d written, and though it was never accepted anywhere, I reread it a few years ago and thought it wasn’t as embarrassing as I predicted. A run-through with modern eyes was all that was needed to save it. Or so I told myself. It was only when I sat down to see how it could be fixed that I realized how little was salvageable. I kept the most basic of situations—a couple vacationing to save their marriage—and some of the images, but from them I crafted a new and (I hope) better tale from its ashes. I’m not sure if “The Quiet Harp” will ever see the light of day, but it was a stepping stone that led me here, so the time invested was worth it.
I was also pleased when Paula Guran selected another story from my collection, BURNT BLACK SUNS, to reprint. This time, in her sequel anthology NEW CTHULHU 2: MORE RECENT WEIRD (Prime Books, 2016).
The ideas behind “On Ice” stemmed from a science radio show on Canada’s CBC Radio. It outlined a research expedition to Miellville Island, and some of the interesting discoveries there. When I heard the story, I immediately knew it would make a great setting for a horror story, but I didn’t know what it would be. So, I saved an audio recording of the episode and let it sit on my hard drive for years until I came up with something to do with it.
It was after a lazy, inattentive reading of a story by Sarban that an idea sprung to mind. I’d fuse two different notions I had—one for the expedition, the other for a god trapped in ice—and create something that I hoped would be interesting. The piece stretched out longer than I’d initially anticipated, and much of the interaction among the researchers mutated along the way, but in the end I was pleased to be able to convey a bit of how Lovecraft inspired and continues to inspire me.
I was very pleased to have my story “Emotional Dues”, first published in my collection, BURNT BLACK SUNS, selected for inclusion in THE YEAR’S BEST DARK FICTION & FANTASY 2015 (Prime Books, 2015).
“Emotional Dues” was a story I’d been writing for a number of years. It was originally intended for an all-novella anthology I’d been invited to, but I simply couldn’t make the story work. As sometimes is the case, my original intent for the story—more specifically, for the ending of the story—was forced to change when I reached my planned conclusion and realized the story itself wasn’t done being told. No matter how many times I came at the tale, I always hit the same roadblock. So, I put it aside for a short time. And that short time became a number of years. It was only while working on my collection, BURNT BLACK SUNS, that it occurred to me that I had a suitable addition in this piece, and I hoped that somehow I’d finally find a way to finish the story that hadn’t been clear to me before. As is evident, I think I found my way. The fact that it was selected by Paula Guran for her best-of book, and that a number of readers have reported it being a favourite story, helps convince me I made the right choice.